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Sheela Gowda............ |
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Sheela Gowda was born in Bhadravati district of Karnataka in
1957. She did her Diploma (Painting) in the Ken School of Art, Bangalore and studied
painting under K.G. Subramanyan of Vadodara. She has also done Post-Diploma (Painting) in
Vadodara and MA in Royal College of Art, London. She uses cow dung as a painting medium as
a reference to the importance of cows in India, whether religious or functional, the
latter including building with cow dung.
The Bangalore-based artist. Sheela Gowda has, like some other contemporary Indian artists,
been questioning the conventions and aesthetic norms of Indian artistic practice in her
work over the last decade. She recently produced a site-specific artwork called
"Sakshi Gudda, Sakshi Gode" as part of the German festival in India. Gowda, who
has tirelessly refused any easy or formulaic |
response to an aesthetics in flux, forsook
oil painting to experiment with such materials such as cowdung, kumkum or thread whether
in the gallery or open space, producing works that ranged from the sensely tactile to the
minimalist. Her conscious turn away from oils and to such materials - a response at least
in part to the late 1980s and 1990s rise to prominence of the Hindu Right - is far from
reverential. Rather, she has used them to comment on the threat of sudden or ritualised
violence that lies congealed within the everyday. In this, her latest work, as in the
"Art and Nature" project of 1995, the strategy appears to have somewhat changed,
though achieving the same revelatory effect, since the artist takes as her starting point
the very location, the rootedness of the site, and certain found objects, in order to work
over, and work with urban "nature." It is a sudden peace that takes over and
transforms the threat of violence, and yet it is a stealthy peace, an unplanned
overgrowth.
Sheela Gowda first used thread
in a series of coconut fiber works made in 1995, which followed the cow dung paintings.
She placed embroidery rings over the fiber delineating two areas in the work the |
encircled space upon which she
placed small strings of thread, and the outlying area of fiber that spread freely beyond
the. ring This creates a play between an inside space and an outside space, a contained
space and an unwieldy fibrous "natural" space.
She held many solo exhibitions, some of which are: |
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- 1987, 93 Venkatappa Art Gallery,
Bangalore
- 1989 Gallery 7, Mumbai
- 1993 "Anatomy of
Sacrilege," Gallery Chemould, Mumbai
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Some other selected exhibitions are |
- 1979-82 Karnataka Lalit Kala Akademi
Scholarship, Bangalore
- 1981, 82, 85 Annuai Exhibition,
Karnataka Lalit Kala Akademi, Bangalore.
- 1984-86 INLAKS Foundation
Scholarship, New Delhi.
- 1984 Lalit Kala Akademi, New Delhi.
- 1986 Degree Show, Royal College of
Art, London.
- 1987 Gallery 7, Mumbai.
- 1988 2nd Biennale, Bharat Bhavan,
Bhopal.
- 1989 "Timeless Art:' Victoria
Terminus, Mumbai.
- 1994 "Tangente,"
Schaffhausen, Switzerland.
- 1995 "Africus," 1st
Johannesburg Biennale, Johannesburg.
"Art and Nature," Bhuddha Jayanti Park, New Delhi.
"lmmaterial-Material," MMB, Bangalore.
- 1996-98 "Traditions/Tensions'
Contemporary Art in Asia," Asia Society, New York/traveling exhibition to Canada,
Australia and Taiwan.
- 1997-98 "Telling Tales,"
British Council, New Delhi/Victoria Gallery, Bath/Newlyn Art Gallery, Penzance/Nottingham
Castle Museum & Art Gallery, Nottingham [Honors and Awards]
- 1996-98 Senior Fellowship,
Department of Culture, Government of India, New Delhi.
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